Bollywood celebrate Father's Day with memories, pictures and sweet messages on social media.
The Drama is what you can call a 'feel-bad' romance done right, notes Sreeju Sudhakaran.
The Museum Of Innocence is too long. Nine episodes could have been reduced to six, with some slick editing, observes A Ganesh Nadar.
'I don't like talking about my struggles because I find them quite small in comparison to what I have seen happening to the people in my country.' 'I don't think pursuing your dreams is a struggle.'
Vrusshabha feels like a ChatGPT prompt gone wrong, where the lazy ask for a sure-shot 'Pan Indian' blockbuster formula gives us a flimsy period epic in the guise of an incompetently drawn 'reincarnation drama', observes Arjun Menon.
Mirai is an ambitious, but lazily timid visual effects overkill that squanders away potential with an undercooked early draft screenplay that needed rework, notes Arjun Menon.
The comedy is unfunny, the emotional bits are dubious and the music forgettable in Heer Express, observes Deepa Gahlot.
The pace at which Priyanka's Ercell fights off her enemies and secures her family into a bunker, you would forget you are in a Hollywood thriller, notes Divya Nair.
Ananya Panday delights fans by sharing stunning photographs from her French vacation with sister Rysa Panday, celebrating Rysa's graduation and showcasing memorable moments together.
Pankaj Kapur, who visibly enjoys playing the ringmaster to this family circus, is the glue that holds Thode Door Thode Paas together, observes Deepa Gahlot.
Actress Mehreen Pirzada has tied the knot with her beau Arsh Aulakh in a picturesque ceremony held in the breathtaking mountains of Chail, Himachal Pradesh, sharing enchanting photographs of their special day.
With Saif Ali Khan and Randeep Hooda donning the cop uniform on OTT this week, we take a look at 10 memorable police portrayals in Hindi OTT series over the years.
What you get is a predictable, conventional story salvaged only by powerful performances from both the lead and the supporting cast, observes Divya Nair.
Malaika goes on a holiday to the Maldives to rest and recuperate.
Soha Ali Khan and Kunal Kemmu share glimpses of their family holiday at the Conrad Maldives Rangali Island, while celebrating Kunal's 43rd birthday.
Ahead of Daadi Ki Shaadi's release, here's looking at Bollywood's history of mature romances, from classics like Aandhi to modern hits like Rocky Aur Rani Kii Prem Kahani, which showed that love needs no retirement age.
As Priyanka Chopra Jonas returns as the debonair spy Nadia in Citadel Season 2, we take look at how her Hollywood projects stack up against each other from underwhelming to standout.
'Working with Imtiaz Ali sir was something I had dreamt about for years.' 'His films have shaped the way I look at cinema and storytelling, and to be trusted with a character like Afsana was incredibly meaningful for me.'
Bugonia's ending, though not unexpected, is still shocking, reveals Deepa Gahlot.
For a grim subject matter as grim as this, it's refreshing that Sentimental Value avoids becoming a manipulative, melodramatic tearjerker, notes Mayur Sanap.
'Idli Kadai wears its heart on its sleeve, embracing nostalgia and roots with both hands. Dhanush is in top form as an actor and director here, mining most of the material,' recognises Arjun Menon.
We may not know Dr Ramani at first, but by the end, we get a clearer sense of his nobility. For a biopic, that's a job done well, notes Mayur Sanap.
It's good to see Huma Qureshi help create a film which is as charming as it is empowering, without taking on the stridency that so many women-oriented films invariably adopt, notes Deepa Gahlot.
Nobody Wants This Season 2 might not reinvent the rom-com wheel, but it proves that messy love stories can be meaningful, relatable, and totally watchable, notes Divya Nair.
This turgid drama, solely designed to titillate male audiences, move from one hare-brained scene after another with intermittent over-acting, ear-splitting background music, and over-the-top dialoguebaazi, sighs Mayur Sanap.
Ranveer Singh's Dhurandhar: The Revenge is smashing box office records, raking in Rs 681.27 crore (Rs 6.81 billion) in India and exceeding Rs 1,000 crore (Rs 10 billion) worldwide, solidifying the actor's status as a bankable star. Check daily collection, trends, and box office performance.
Sanjay Dutt, known for his 'Khalnayak' image, is set to return to the big screen as a historical antagonist in Raja Shivaji' and a rugged gangster in 'KD - The Devil'. This article ranks his most compelling villainous performances in Hindi cinema, highlighting his versatility in embracing darker roles.
Even if you don't play the game, you'll understand everything and have a good time, promises 9-year-old Minecraft gamer Avan Verma.
Aryan Khan has made The Ba***ds of Bollywood entertaining and wicked, applauds Deepa Gahlot.
Mouni Roy turned heads at Cannes 2026 with a stunning light blue and white deep-neck gown.
Eko, a smartly written film, loses steam midway but somehow stays afloat and deliver the goods, notes Arjun Menon.
Train Dreams refuses to pander to an attention-deficit audience and is not afraid of the silence of emotional depth, observes Deepa Gahlot.
Jugnuma has the unhurried pace of a stroll at dusk through the hills and the quiet delight in coming across jugnus (fireflies) twinkling in the trees, observes Deepa Gahlot.
Made at a time when an insidious agenda can be read into it, Haq is an important film that deals with a contentious subject with maturity, observes Deepa Gahlot.
It is sporadically chilling but the disparate elements take forever to come together, notes Deepa Gahlot.
Salman Khan's latest Instagram post features his pet dog and showcases his love for animals.
From Mohanlal's commanding act in Company to Dulquer Salmaan's chilling turn in Chup, these Malayalam stars proved they could shine far beyond Mollywood.
120 Bahadur is underwhelming, adding little fresh perspective and generally feeling like a standard war drama we have seen umpteen times before, notes Mayur Sanap.
A straightforward mishmash of earlier I Know... movies, where the obvious silliness remains intact but the fun quotient comes discounted, observes Mayur Sanap.
This Delhi Crime series belongs to Huma Qureshi, who plays Badi Didi as a hateful woman. She also commands some admiration for the way she negotiates with venal men and even some degree of sympathy for making the best of whatever life throws at her, observes Deepa Gahlot.
